I try to find a way that the other guy hasn’t thought of using a sound or a sample.

I’m delighted about the track’s success in the sports world, but the frustrating thing is, I don’t think I got rich on it. The labels and publishers did very cheap deals on our songs.

That Beatle euphoria has always been there, and it’s hard to be in a room with a Beatle and try to be totally natural. You never shake that off.

In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates, we realized that, Oh my God, we’re actually playing in THE Kremlin!

Audiophiles don’t use their equipment to listen to your music. Audiophiles use your music to listen to their equipment.

I couldn't have asked for a greater grounding. I have never quite got used to the fact that I was one of those involved in recording a Beatles album.

I decided I was going to be the first producer to have a manager. And those songs became the background of the first Project album.

Immediately after the Floyd experience, I became a pop record producer.

It was a real shame that the technology wasn't up to the creation that was going on with quad. It just wasn't reaching the consumer in the right way.

The Sicilian Defense album was never released and never will be if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.